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Conservation treatments can take the form of adhering a lining to the canvas with wax-resin to the reverse side, replacing the painting's original stretcher, and varnishing the painting. In Jackson Pollock's Echo, solvents were used to remove a thin layer of the canvas to even out the work's coloring. [32]
The recommended handling method for panel paintings is similar to that of canvas and other two-dimensional works. Conservators are the only persons that should touch the front or back of a painting. The panel should be held by the edges using nitrile gloves and carried with two hands or in tandem by two people, depending on size.
Parchment can also be stored in envelopes constructed out of polyester sheets. [16] For the long-term preservation of organic material like parchment, the ideal temperature range is 10–15 °C (50–59 °F) with a relative humidity level of 30–50%. The ideal storage and display environment is oxygen-free, as oxygen prevalence has been shown ...
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Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails. The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6]
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