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Shoji are valued for not setting a sharp barrier between the interior and the exterior; outside influences such as the swaying silhouettes of trees, or the chorus of frogs, can be appreciated from inside the house. [9] As exterior walls, shoji diffuse sunlight into the house; as interior partitions between rooms, they allow natural light deep ...
A row of uprights runs long the inside of the engawa, and the shōji sliding screens run between these; a second row of uprights runs along the outside of the engawa. [6] The posts traditionally stand on half-buried stones, [ 5 ] pounded into the earth with a specialized maul, and the wood posts shaped to fit the upper surface. [ 6 ]
Depending on the application, and the construction of the window frame, shutters can be mounted to fit within the opening or to overlap the opening. The term window shutter includes both interior shutters, used on the inside of a house or building, and exterior shutters, used on the outside of a structure.
This can include corner window walls, for even more blurring of the inside-outside open space distinction. Two-story versions are often electronically opened, using remote controls. For wide expanses, the opening point is centered, and three to six parallel tracks are used to carry the six to twelve sliding doors into the wall pockets on each side.
Battens – the horizontal elements on "board and batten" shutters. Strap hinges usually mount centered on the battens. This is the standard construction approach for most barn doors. Butt mounted – hinges that mortise into the sides of the hinges – only the barrel of the hinge is visible when the shutter is in the closed position.
The transition between the Shoin and Sukiya styles occurred during the early 1600s, as a new structure for storm shutters was devised. By stacking the opaque wooden sliding doors in a box called a to-bukuro, instead of simply overlapping them, the amount of light in the interior doubled, and unbroken views of the garden could be obtained.
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