Search results
Results from the WOW.Com Content Network
John appears to be teasing the cat with a captured goldfinch, an allegoric symbol of Christ’s Passion. John's reed rests against a wall in the background. The main characters form a proto-Baroque-style diagonal to the right. In the style of Barocci, the cheeks are rosy. [1]
The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
See also Category:Christian symbols For representations of Christianity in mainstream popular culture, see Category:Christianity in popular culture Wikimedia Commons has media related to Christian art .
Similarly to the Christian poetry by fellow Catholic poet Marko Marulić, who believed that, "pagan myth and poetry gained a certain legitimacy when employed in the service of theology", [2] Devassia's poem is filled with multiple references and comparisons to well known stories about the gods, avatars, and demigods of Hinduism and even to ...
Jesus Christ the Apple Tree lyrics in an 1897 republication of 1797 printing Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree ) is a poem, possibly intended for use as a carol , written in the 18th century.
Artistically, these various representations are somewhat crude, and show the decadence of the pagan art of the time. After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
According to Watson Kirkconnell, the Christiad, "was one of the most famous poems of the Early Renaissance". Furthermore, according to Kirkconnell, Vida's, "description of the Council in Hell, addressed by Lucifer, in Book I", was, "a feature later to be copied", by Torquato Tasso , Abraham Cowley , and by John Milton in Paradise Lost .