Search results
Results from the WOW.Com Content Network
In 1889, at the Paris Exposition, Tiffany was said to have been "overwhelmed" by the glass work of Émile Gallé, French Art Nouveau artisan. [33] He also met artist Alphonse Mucha .
Tiffany lamps are considered part of the Art Nouveau movement. Considerable numbers of designs were produced from 1893 onwards. Due to Tiffany's dominant influence on the style, the term Tiffany lamp or Tiffany-style lamp has been often used to refer to stained-glass, leaded lamps, even those not made by Tiffany Studios.
The Tiffany lamp in particular became one of the icons of the Art Nouveau, but Tiffany's craftsmen designed and made extraordinary windows, vases, and other glass art. Tiffany's glass also had great success at the 1900 Exposition Universelle in Paris; his stained glass window called the Flight of Souls won a gold medal. [ 150 ]
Louis Comfort Tiffany was the leading figure in American Art Nouveau glass design. His father was a famous New York jeweler, and he studied painting in New York and Paris before opening a firm of interior decoration in New York in 1897.
His work was very different from the airy, fluttery look of the Art Nouveau. [3]: 245 Tiffany’s jewelry can be categorized into two main areas of influence, naturalism and historicism, but after further investigation it is apparent that he had many other influences, some being quite unidentifiable. [1]: 101
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
Laurelton Hall was the home of noted artist Louis Comfort Tiffany, located in Laurel Hollow a village in the town of Oyster Bay in Long Island, New York.The 84-room mansion on 600 acres of land, designed in the Art Nouveau style, combined Islamic motifs with connection to nature, was completed in 1905, and housed many of Tiffany's most notable works, as well as serving as a work of art in and ...
The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Émile Gallé, jewelry by René Lalique, and posters by Aubrey Beardsley. Bing wrote in 1902, "Art Nouveau, at the time of its creation, did not aspire in any way to have the honor of becoming a generic term.