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Antoine-Jean Gros (French pronunciation: [ɑ̃twanʒɑ̃ gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was granted the title of Baron Gros in 1824. [1] [2] Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution.
The Embarkation of the Duchess of Angoulême at Pauillac (French: Embarquement de la duchesse d'Angoulême à Pauillac) is an 1818 history painting by the French artist Antoine-Jean Gros. [1] Gros had made his reputation depicting scenes of Napoleon and the French Empire.
Portrait of the Duchess of Angoulême is an 1816 portrait painting by the French artist Antoine-Jean Gros depicting Marie Thérèse of France. [1] [2] The only surviving child of the guillotined Louis XVI she returned to France following the defeat of Napoleon.
Napoleon Accepting the Surrender of Madrid (French: Capitulation de Madrid, le 4 décembre 1808) is an 1810 history painting by the French artist Antoine-Jean Gros. [1] [2] It depicts Napoleon, Emperor of France accepting the surrender of Madrid on 4 December 1808 during the Peninsular War. Napoleon is shown with his general staff receiving a ...
Interview Between Napoleon and Francis II after the Battle of Austerlitz (French: Entrevue de Napoléon Ier et de François II après la bataille d'Austerlitz) is an 1812 history painting by the French artist Antoine-Jean Gros. [1]
Bonaparte, First Consul is an oil painting on canvas by French painter Antoine-Jean Gros, from 1802, which is a full-length portrait of Napoleon Bonaparte as First Consul. . The painting was commissioned by Napoleon himself who offered it to Jean-Jacques-Régis de Cambacérès, the Second Cons
Pages in category "Paintings by Antoine-Jean Gros" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. B.
Antoine-Jean Gros was declared the winner on 13 June, and completed Napoléon on the Battlefield of Eylau during the winter of 1807–1808. [5] According to François de Vergnette, Denon stipulated much of what was to be featured in the painting, including "the moment to be depicted, the number of 'extras', the cadavers in the foreground, and ...
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