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As a hippie Ken Westerfield helped to popularize Frisbee as an alternative sport in the 1960s and 1970s. Much of hippie style had been integrated into mainstream American society by the early 1970s. [57] [58] [59] Large rock concerts that originated with the 1967 Monterey Pop Festival and the 1968 Isle of Wight Festival became the norm ...
[7] [8] [9] The Beats adopted the term hip, and early hippies adopted the language and countercultural values of the Beat Generation. Hippies created their own communities, listened to psychedelic music, embraced the sexual revolution, and many used drugs such as marijuana and LSD to explore altered states of consciousness. [10] [11]
In the 1960s, elements of the expanding Beat movement were incorporated into the hippie and larger counterculture movements. Neal Cassady, as the driver for Ken Kesey's bus Furthur, was the primary bridge between these two generations. Ginsberg's work also became an integral element of early 1960s hippie culture, in which he actively participated.
In 1970, Hunter S. Thompson campaigned to become Sherriff of Aspen, Colorado as part of the "Freak Power" movement, and used this symbol to represent Freaks The freak scene was originally a component of the bohemian subculture which began in California in the mid-1960s, associated with (or part of) the hippie movement.
This is a list of books and publications related to the hippie subculture. It includes books written at the time about the counterculture of the 1960s and early 1970s, books that influenced the culture, and books published after its heyday that document or analyze the culture and period.
"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967, Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and phrased the famous words, "Turn on, tune in, drop out".
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The form hippie is attested in print as jazz slang in 1952, but is agreed in later sources to have been in use from the 1940s. [6] Reminiscing about late 1940s Harlem in his 1964 autobiography, Malcolm X referred to the word hippy as a term that African Americans used to describe a specific type of white man who "acted more Negro than Negroes". [7]