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"An Angel With a Wing on One Side") which is played during the final confrontation with Sephiroth. It contains Latin lyrics taken from sections of the Carmina Burana . [ 24 ] In an interview featured on G4 's Game Makers (formerly Icons ), Uematsu revealed that the piece was designed to be a fusion of the musical styles of Russian composer Igor ...
Abezethibou is a demon and fallen angel described in the pseudepigrapha, Testament of Solomon. He followed Beelzebub upon his fall from heaven , and became an important demon in Hell . However, after his treason of rebelling against God during the War in Heaven, he is left with one red wing, as his other wing was torn off by angels trying to ...
In 2006, IGN ranked the album as the best Final Fantasy soundtrack to date and cited the "gripping" character themes and "One-Winged Angel" in particular as contributing factors. [22] They also named "One-Winged Angel" as the best piece of music from the entire Final Fantasy series. [22]
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The encore piece, "One-Winged Angel", saw the orchestra joined by a full choir, the Los Angeles Master Chorale. [16] The concert was termed "a complete success" by IGN, who commented that they "walked away impressed with the performance, the presentation, and the timelessness of Uematsu's compositions".
Final Fantasy VII was the first game in the series to include a track with high-quality digitized vocals, "One-Winged Angel", which accompanies a section of the final battle of the game. The track has been called Uematsu's "most recognizable contribution" to the music of the Final Fantasy series, which Uematsu agrees with.
He named his finishing maneuver the One-Winged Angel (a reference to Final Fantasy VII character Sephiroth) and the running knee strike he employs as a signature maneuver the V-Trigger (a technique used in Street Fighter V); [35] [221] integrated the Hadouken attack from the Street Fighter video game series as a signature move; [222] and used ...
The lyrics for the piece "One-Winged Angel" from Final Fantasy VII were taken from the medieval poetry on which Carl Orff based his cantata Carmina Burana, specifically the songs "Estuans Interius", "O Fortuna", "Veni, Veni, Venias" and "Ave Formosissima". [97]