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Staccato ([stakˈkaːto]; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, [1] [2] separated from the note that may follow by silence. [3] It has been described by theorists and has appeared in music since at least 1676. [4]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Western music has a set of traditional articulations that were standardized in the 19th century [3] and remain widely used. [1] Composers are not limited to these, however, and may invent new articulations as a piece requires. [4] When writing electronic and computer music, composers can design articulations from the ground up. [5]
A female singer with a range usually extending from the A below middle C to the F an eleventh above middle C. Mezzo-sopranos generally have a darker vocal tone than sopranos, and their vocal range is between that of a soprano and that of a contralto. MG See main gauche minore Minor key misterioso Mysterious mit Dämpfer (Ger.) With a mute M.M.
The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
They are most commonly notated as a short note value with a staccato dot, sometimes with the verbal marking "stab". There's a rule of thumb in funk music that says short sounds are better than long: thus the drier the guitar hit, the tighter the horn stab, the slappier the bass, the more clipped the clavinet etc, the better.