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To a fifteenth-century audience, the Seven Heavenly Virtues represented a combination of philosophical and religious influences. According to Pseudo-Dionysius, an early Christian writer, the Virtues are "bestowers of grace and valor," represent the "out-pouring of divine energy," and are "possessed of unshakable virility.” [11] During the Renaissance, allegory was used towards the Christian ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The seven capital virtues or seven lively virtues (also known as the contrary or remedial virtues) [8] are those thought to stand in opposition to the seven capital vices (or deadly sins). Prudentius , writing in the 5th century, was the first author to allegorically represent Christian morality as a struggle between seven sins and seven virtues.
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The eight heavenly virtues expounded by Taoist Tai Chi founder Moy Lin-shin; The Eight Honors and Eight Shames, also known as the Eight Virtues and Shames, a set of moral concepts developed by former Chinese Communist Party General Secretary Hu Jintao; The seven virtues of Christianity (heavenly or capital) with an added virtue
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
At the apex of the heavenly light there is an almost hidden inscription of IHS, the first three letters of Jesus's name in Greek. [6] This is the only representation of Christ in the ceiling painting. Christ is considered the light of the world; Gaulli took this literally when choosing to depict Christ by his initials and the heavenly light.
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