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8mm T3.1 Cine UMC FISH-EYE II Cine Lens [351] 8mm T3.8 VDSLR UMC Fish-eye CS II Cine Lens [352] 10mm T3.1 VDSLR ED AS NCS CS II Cine Lens [353] 12mm T2.2 Cine NCS CS Cine Lens [354] 16mm T2.2 VDSLR ED AS UMC CS II Cine Lens [355] 21mm T1.5 ED AS UMC CS Cine Lens [356] 35mm T1.3 AS UMC CS Cine Lens [357] 50mm T1.3 AS UMC CS Cine Lens [358] Photo ...
Given its unusually high 1:4 (0.25x) image reproduction ratio, the 100mm GM lens can be considered a pseudo-macro lens. Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 150mm.
Sony Lens Adapter E/A 2 2011 Mount adapter APS-C 200g LA-EA2 for A-mount lenses on E-mount camera, SLT-PD-AF with all AF lenses. Sony Lens Adapter E/A 3 2013 Mount adapter 35mm 110g LA-EA3 for A-mount lenses on full-frame E-mount camera, glass-less, CD-AF / OS-PD-AF with SSM/SAM lenses only. [41] Sony Lens Adapter E/A 4 2013 Mount adapter 35mm
We pick the best budget telephoto zoom lenses for your camera system – big magnifications, small outlays! The best budget telephoto lenses for Canon, Nikon, Sony and more in 2022 Skip to main ...
Pages in category "Sony E-mount lenses" The following 132 pages are in this category, out of 132 total. ... Sony Carl Zeiss Vario-Tessar T* FE 24-70mm F4 ZA OSS;
The Sony FE 24-70mm F2.8 GM is a premium constant maximum aperture full-frame (FE) zoom lens for the Sony E-mount, announced by Sony on February 3, 2016. [1] [2]Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 36-105mm.
The best lenses for the Sony A7R III and IV to get the most of out these sophisticated, high-resolution full-frame cameras
The Sony FE 70-200mm F2.8 GM OSS is a premium, constant maximum aperture full-frame (FE) telephoto zoom lens for the Sony E-mount, announced by Sony on February 3, 2016. [ 1 ] [ 2 ] The 70-200mm f/2.8 lens is popular among event photographers and photojournalists where the lower light capabilities are required.
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