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The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
XDR (expanded dynamic range), also known as SDR (super dynamic range) is a quality-control and duplication process for the mass-production of pre-recorded audio cassettes. It is a process designed to provide higher quality audio on pre-recorded cassettes by checking the sound quality at all stages of the tape duplication process.
Minifon cassette Analog, magnetic wire on reel, 30 cm/s or about 11.8 ips was quickly adopted by many governments as being the ultimate "spy" recorder of its day 1957 Stereophonic vinyl record An early stereo record label Analog, with pre-emphasis and other equalization techniques. Combination lateral/vertical stylus motion with each channel ...
Nakamichi and Studer complied with the IEC, but provided an option for playing Type II and Type IV tapes using the 120 μs setting and matching pre-emphasis filters in the recording path. A similar pre-emphasis was applied by duplicators of prerecorded chromium dioxide cassettes; although loaded with Type II tape, these cassettes were packaged ...
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
Prior to the introduction of the Disk II, cassette was the main storage medium for Apple machines. Here an Apple II is using a Panasonic tape deck. The Apple I introduced an expansion-card based cassette system similar to KCS, recording a single cycle of 2000 Hz for a space and a single cycle of 1000 Hz for a mark. This resulted in an average ...
The company started manufacturing pre-recorded eight-track tapes and cassettes in 1969 in the basement of a commercial building in Montreal. More than three decades later, in 2003, the company completed a US$1.1 billion purchase of the music- and movie-manufacturing assets (WEA Manufacturing) of New York media giant Time Warner.
A high-quality recording on cassette could rival the sound of an average commercial CD, though the quality of pre-recorded cassettes has been regarded by the general public as lower than could be achieved in a quality home recording. [16] There was a call for better sound quality in 1981, surprisingly by the head of Tower Records, Russ Solomon.
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