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2010: Henry Ossawa Tanner and his Contemporaries, [63] Des Moines Art Center (December–February 2011). 2012: Henry Ossawa Tanner: Modern Spirit, [64] Pennsylvania Academy of the Fine Arts, Philadelphia (January–April), then to Cincinnati Art Museum [65] (May–September) and to Houston Museum of Fine Arts (October–January 2013)
[2] During Tanner's lifetime, the painting was never exhibited in the United States, having been bought at its first exhibition in France. [2] It was finally exhibited in the U.S. in 2012 as part of the show Henry Ossawa Tanner: Modern Spirit, organized by the Pennsylvania Academy of Fine Arts. [3]
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
Tanner painted this image in Jerusalem in 1899. The photo of this painting worked with here came from an exhibition, Bowdoin College Museum of Art exhibition Night Vision: Nocturnes in American Art, 1860-1960, on view from June 27-October 18, 2015. Caption: Nicodemus, 1899, oil on canvas, by Henry Ossawa Tanner.
This is an incomplete list of paintings by American painter Henry Ossawa Tanner (June 21, 1859 – May 25, 1937). Tanner is the first Black artist to have a major solo exhibition in the United States, [1] and the first to have his work acquired for the collection of the White House.
English: American Red Cross Canteen, by Henry Ossawa Tanner. Private collection, 1918. Charcoal on paper, 17 1/2 x 22 3/4. ... "Henry Ossawa Tanner: Modern Spirit ...
Lower res version in paper: "Pursuit of the Ideal Effect: The Materials and Techniques of Henry Ossawa Tanner" by Brian Baade and Amber L Kerr. Chapter in the book "Henry Ossawa Tanner: Modern Spirit", published by the Pennsylvania Academy of the Fine Arts, Philadelphia and the University of California Press, Berkeley, Los Angeles, London; page 30.
English: Daniel in the Lions’ Den, by Henry Ossawa Tanner, 1896. This painting is lost and is now known through a photograph, through the engraving made for the Paris Salon, and by a later version (very similar) made by Tanner.