Ad
related to: stravinsky revitalized rhythm by george c mason
Search results
Results from the WOW.Com Content Network
Balanchine conceived the idea of Movements for Piano and Orchestra for Diana Adams, one of his muses at the time, and Jacques d'Amboise as the two leads. In his memoir, d'Amboise wrote that Balanchine "didn't want to be bothered with anyone else" whenever he created a new piece for one of his muses, but ballet master John Taras wanted Balanchine to have an understudy for Adams, and suggested ...
Stravinsky breaks the orchestra down into chamber-sized sections with the piano acting as a pivot between these, creating the type of subtle and gestural textures favored by Webern in his Concerto for Nine Instruments (Op. 24) and Variations for Orchestra (Op. 30), the latter a work much admired by Stravinsky.
Le chant du rossignol by Igor Stravinsky, at the measure before rehearsal mark 37. [107] Homenaje a Federico García Lorca by Silvestre Revueltas, for the entire first movement, "Baile" (Dance), except for one free-rhythm bar at the beginning and two at the end. [108] Piano Sonata No. 1 in C major, Op. 1, by Johannes Brahms. Movement II, bars ...
Igor Stravinsky around 1925 Igor Stravinsky was a Russian composer, pianist, and conductor known for being one of the most important and influential figures in twentieth-century classical music . His unique approach to rhythm , instrumentation , and tonality made him a pivotal figure in modernist music .
Igor Stravinsky, works from 1952 forward: [13] Cantata (1952) Three Songs From Shakespeare (1953) In Memoriam Dylan Thomas (1954) Canticum Sacrum (1955) Agon (1957) Threni (1958) Movements for Piano and Orchestra (1958–59) A Sermon, a Narrative and a Prayer (1961) The Flood (1962) The Dove Descending Breaks the Air (1962)
Stravinsky wrote for a homogeneous ensemble of bowed string instruments, substituting contrasts in dynamics for the contrasts in timbre he employed in Pulcinella. The ballet takes its inspiration from the grand tradition of French 17th- and 18th-century music, in particular that of Lully , a source Stravinsky returned to when composing Agon in ...
This is when Stravinsky first met Balanchine, who later became his most important creative partner. The Diaghilev and Stravinsky relationship weakened during Le chant du rossignol, as each liked to be the director in charge. As Balanchine was allowed more of a role, however, it was clear that the Balanchine-Stravinsky relationship was a lasting ...
The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
Ad
related to: stravinsky revitalized rhythm by george c mason