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The traje de flamenca ("flamenco outfit") or traje de gitana [1] ("Gitana outfit") is the dress traditionally worn by women at Ferias (festivals) in Andalusia, Spain. There are two forms: one worn by dancers and the other worn as a day dress. The day dress is body-hugging to mid-thigh, and then continues in multiple layers of ruffles to the ankle.
A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in festivals. The charro outfit is one that ...
Polleras are a form of Spanish colonial dress enforced sometime between the sixteenth and seventeenth centuries on indigenous populations in the Andes by hacienda owners or hacendados. Traditional polleras come from peasant dress from southern Spanish regions like Andalusia. Today, polleras are associated with indigenous and folkloric forms of ...
Procession of the Reales Cofradías Fusionadas in Malaga Brotherhood with green capirotes in Malaga Brotherhood of Saint Rochus with velvet capirotes Brotherhood with silk capirotes A capirote [ 1 ] is a Christian pointed hat of conical form that is used in Spain and Hispanic countries by members of a confraternity of penitents , particularly ...
This category describes traditional and historic Spanish clothing. Modern Spanish clothing should be categorised under Spanish fashion or Clothing companies of Spain.
Charles V, king of Spain, Naples, and Sicily and Holy Roman Emperor, handed over the kingdom of Spain to his son Philip II and the Empire to his brother Ferdinand I in 1558, ending the domination of western Europe by a single court, but the Spanish taste for sombre richness of dress would dominate fashion for the remainder of the century.
Keira Knightley's emerald green dress in Atonement was quickly voted the greatest film costume ever in a Sky Movies/InStyle poll and it's a shade of green that had it's own moment, long before ...
Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on ...