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Simeon's hymn of praise [The presentation in the Temple: oblong print] About 1639 B156: 1: The skater: About 1639 B192: 2: The artist drawing from the model: About 1639 B259: 1: Old man shading his eyes with his hand: About 1639 B092: 2: The beheading of John the Baptist: 1640 B265: 2: Old man with a divided fur cap: 1640 B158: 3: Sleeping ...
Though, like other prints, his are often loosely described as "engravings", the main technique he used was etching, with some prints entirely in true engraving or in drypoint. Many prints used a mixture of techniques, as was common at the time. In all he produced about 300 prints. He is famous for revising prints, sometimes over a period of ...
Toggle Old master print period – c. 1800 subsection. 1.1 15th century. 1.1.1 Northern. ... Giulio Campagnola En (invented stipple engraving) Domenico Campagnola En, Wo;
Martyrdom of St Sebastian, engraving by the Master of the Playing Cards, c. 1445. Engraving on metal was part of the goldsmith's craft throughout the Medieval period, and the idea of printing engraved designs onto paper probably began as a method for them to record the designs on pieces they had sold.
Copper engraving: 316 × 225 mm: B61 The Penance of St John Chrysostom: 1494–1498: Copper engraving: 183 × 119 mm: B63 The Deformed Landser Sow: 1494–1498: Copper engraving: 118 × 126 mm: B95 The Prodigal Son: 1494–1498: Copper engraving: 247 × 191 mm: B28 The Small Fortune: 1495–1496: Copper engraving: 120 × 66 mm: B78 The Small ...
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Of these prints, 60 were lithographs, 26 in the various intaglio techniques (with a third of these using colour), 7 woodcuts, a wood engraving and a gypsograph. [ 27 ] The subjects have a notably large number of figures compared to earlier decades, and the artists include Whistler, Toulouse-Lautrec , Gauguin , Renoir , Pissarro , Paul Signac ...
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