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At a time when women were full-time homemakers, making crochet lace was an important part of many women's lives in a way that may be hard to understand today. Needlework was an enjoyable, fashionable and socially correct pastime. Women were proud to wear and decorate their homes with the finished items. [25] Mary was more than a remarkable ...
Needlework was an important fact of women's identity during the Victorian age, including embroidery, netting, knitting, crochet, and Berlin wool work. A growing middle class had more leisure time than ever before; printed materials offered homemakers thousands of patterns.
They created schools to teach many girls and women how to produce the fine crochet that has come to be known as "Irish lace." [4] Irish crochet and tatting travelled particularly well as the equipment needed was simple, a ball of cotton and a shuttle for tatting and a simple crochet hook and cotton for Irish crochet lace. [5]
Crochet and needlepoint motifs and patterns that looked like sketchbook doodles adorned cushions, tablecloths, and placemats for an effect that was at once homespun and chic. Black Vine Tablecloth ...
Crochet stitches have different terminology in different countries. Schematic crochet symbols have a consistent meaning internationally. Basic stitches
An archive for Women's Home Industries, including knitting patterns, garments and sample books is held in the University of the Arts' London College of Fashion archive. [ 24 ] The Victoria and Albert Museum has several items by Women's Home Industries, including a 1950s Beatrice Bellini sweater that so impressed the couturier Edward Molyneux ...
There is a fashion, I observe, in these things; and her work was a sort I perceive to have become very fashionable of late—the netting of soft wools into various articles for women's heads and shoulders, and even into cloaks and large shawls or blankets—Afghans, Lilly says they call them—to be worn as protection against dust in summer drives.
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