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Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets. The title refers to the first line of Sonnet 130, "My mistress' eyes are nothing like the sun", in which Shakespeare describes his love for a dark-haired woman.
British humour carries a strong element of satire aimed at the absurdity of everyday life. Common themes include sarcasm, tongue-in-cheek, banter, insults, self-deprecation, taboo subjects, puns, innuendo, wit, and the British class system. [1] These are often accompanied by a deadpan delivery which is present throughout the British sense of ...
Throughout Shakespeare, characters from disparate plays are imagined alongside and interacting with each other. As in The Western Canon , Bloom criticizes what he calls the "school of resentment" for its failure to live up to the challenge of Shakespeare's universality and for balkanizing the study of literature through multicultural and ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.
Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]
In 1839, the philosopher Hermann Ulrici wrote that the play and its depiction of human life reflected the views of Platonism. In his view, Shakespeare implied that human life is nothing but a dream, suggesting influence from Plato and his followers who thought human reality is deprived of all genuine existence. Ulrici noted the way Theseus and ...