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Motion Picture Sound Editors (MPSE) is an American professional society of motion picture sound editors founded in 1953. [1] The society's goals are to educate others about and increase the recognition of the sound and music editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members.
Large productions may have an ADR editor working under the dialogue editor, but the positions are often combined. The ADR editor or dialogue editor also work with the walla group in films which they are required, providing the background chatter noise in scenes with large crowds, such as parties or restaurants. [1] [2]
The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole.
Dialogue editing is more accurately thought of as "production sound editing", where the editor takes the original sound recorded on the set, and using a variety of techniques, makes the dialogue more understandable, as well as smoother, so the listener doesn't hear the transitions from shot to shot (often the background sounds underneath the ...
This applies to television, cinema and commercials. One major aspect of audio post-production is the use of automatic dialogue replacement (ADR). Sometimes the original production audio lacks in performance or quality, and one or more actors work in a sound studio to record some or all of their dialogue from the project.
While dubbing and ADR are similar processes that focus on enhancing and replacing dialogue audio, ADR is a process in which the original actors re-record and synchronize audio segments. This allows filmmakers to replace unclear dialogue if there are issues with the script, background noise, or the original recording.
A re-recording mixer in North America, also known as a dubbing mixer in Europe, is a post-production audio engineer who mixes recorded dialogue, sound effects and music to create the final version of a soundtrack for a feature film, television program, or television advertisement.
Year Film Winners/Nominees 2010 [1] [2] [3]Best Sound Editing – Direct to Video – Animation Family Guy: It's a Trap! Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Stuart Martin (sound effects editor); Mark Eklund (dialogue editor); Patrick S. Clark, Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (Foley artist)
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