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Martin Scorsese in 2024.. After Raging Bull in the early 1980s, Martin Scorsese considered quitting filmmaking, wanting to travel to Rome to shoot a series of television documentaries on the lives of different saints: "I literally thought it would be my last film," said Scorsese in 2016, referring to Raging Bull.
The docudrama will premiere in two parts, with the first four episodes set … Martin Scorsese Partners With Fox Nation for New Docudrama ‘Martin Scorsese Presents: The Saints’ Skip to main ...
Docudrama (or documentary drama) is a genre of television and film, which features dramatized re-enactments of actual events. [1] It is described as a hybrid of documentary and drama and "a fact-based representation of real event".
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre [ 1 ] which attempts to capture reality such as it is (as direct cinema or cinéma vérité ) and which simultaneously introduces unreal elements or fictional situations in narrative in order to ...
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
Wasei-kango (Japanese: 和製漢語, "Japanese-made Chinese words") are those words in the Japanese language composed of Chinese morphemes but invented in Japan rather than borrowed from China. Such terms are generally written using kanji and read according to the on'yomi pronunciations of the characters.
Worn today in Shinto by a kannushi in formal costume for festivals. Ikiryō – In Japanese popular belief, folklore and fiction, it refers to a disembodied spirit that leaves the body of a person who is still living and subsequently haunts other people or places, sometimes across great distances.. Imi (忌み, lit.
In Chinese and Japanese Buddhist art, the halo has also been used since the earliest periods in depicting the image of Amitabha Buddha and others. Tibetan Buddhism uses haloes and aureoles of many types, drawing from both Indian and Chinese traditions, extensively in statues and Thangka paintings of Buddhist saints such as Milarepa and ...