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"Satellite of Love" was composed in 1970 while Reed was still a member of the Velvet Underground.Fellow member Doug Yule, in a 2005 interview, recalled Reed's first mentioning the song to him in the summer of 1970 while they were riding in the back of a limousine with Steve Sesnick: "Steve was there going on about "how we needed airplay", and Lou said "I have this song 'Satellite of Love', and ...
Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground.Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973.
"Satellite of Love" initially made its appearance on a cassette-only compilation of Eurythmics rarities in late 1983, and at least one track, "Last Night I Dreamt That Somebody Loved Me", could not have been recorded any earlier than late 1987, as the original recording by The Smiths was issued in September of that year.
Victoria Williams cover "Why Can't I Be Good" Faraway, So Close! soundtrack Original song 1995 "You'll Know You Were Loved" Friends soundtrack: 1997 "This Magic Moment" Lost Highway soundtrack: Doc Pomus & Mort Shuman cover 2004 "Gentle Breeze" Mary Had a Little Amp: Written and sung by Lou Reed and Laurie Anderson for a charity album 2006 ...
Satellite of Love 2004; Walk on the Wild Side (Bertallot Radio Remix) This page was last edited on 4 June 2023, at 15:09 (UTC). Text is available under the Creative ...
The Afghan Whigs: “I Love You, Suzanne” Mary Gauthier: “Coney Island Baby” Lucinda Williams: “Legendary Hearts” Automatic: “New Sensations” Rosanne Cash: “Magician” Brogan Bentley: “The Power of the Heart”
Beyoncé took some unexpected style advice for the cover of her beloved debut album, Dangerously in Love. Markus Klinko, the photographer who snapped the memorable 2003 artwork, dished on how the ...
Live: Take No Prisoners is a 1978 live album by American musician Lou Reed, recorded during May 1978 at The Bottom Line in New York.. The album contains copious, often profane or non-sequitur stage patter by Reed during and between songs, including a detailed story of the origin of "Walk on the Wild Side" and a rant against rock music critics, particularly Robert Christgau.