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Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion.
A front projection effect is an in-camera visual effects process in film production for combining foreground performance with pre-filmed background footage. In contrast to rear projection, which projects footage onto a screen from behind the performers, front projection projects the pre-filmed material over the performers and onto a highly reflective background surface.
The optical clarity or precision of an image relative to normal human vision. Focus in photographic images is usually expressed in terms of depth. Framing The placement of subjects and other visual content with respect to the boundaries of the image. Hand-held shot A shot where the camera is hand-carried, either with or without a Steadicam. If ...
A post-production visual effects technique for compositing or layering two images or video streams together based on color hues: a specific range of color(s) in the background of the first shot is made transparent, allowing separately recorded footage or a static image to be displayed in the transparent areas instead, giving the appearance that ...
Director Baz Luhrmann looks back on his major movies ‘Romeo + Juliet,’ ‘Moulin Rouge!,’ ‘Elvis' and more. Yahoo Entertainment
First the background is captured without actors or other foreground elements; then the scene is recorded. The image of the background is used to cancel the background in the actual footage; for example in a digital image, each pixel will have a different chroma key. This is sometimes referred to as a difference matte. [17]
The best free movie apps offer a wide variety of films and plenty of ways to watch them. Check out these top picks for alternatives to paid streaming services.
2.25" diameter circular image 10 perf, 2 sides fisheye 70 mm 1.00 (circle) 2.25" diameter circular image spherical Super 8: Eastman Kodak: 1965 unknown (amateur format) 8 mm 1.48 0.245" × 0.166" 1 perf, 1 side spherical 8 mm 1.36 0.215" × 0.158" spherical Real Sound [citation needed] Kenner: 1965 no standard no standard no standard 1 perf, 1 side