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Cube is a 1997 Canadian science fiction horror film directed and co-written by Vincenzo Natali. [8] A product of the Canadian Film Centre's First Feature Project, [9] Nicole de Boer, Nicky Guadagni, David Hewlett, Andrew Miller, Julian Richings, Wayne Robson, and Maurice Dean Wint star as seven individuals trapped in a bizarre and deadly labyrinth of cube-shaped rooms.
Cube, the first film in the series, follows a group of seven frightened strangers who find themselves trapped in a bizarre maze of cubical rooms, with no memory of how they arrived there. [1] Searching for a way out, they soon discover that many rooms contain lethal booby traps, while others are safe.
Opening Title Production company Cast and crew Ref. J A N U A R Y: 10 The Relic: Paramount Pictures: Peter Hyams (director); Amy Holden Jones, John Raffo, Rick Jaffa, Amanda Silver (screenplay); Penelope Ann Miller, Tom Sizemore, Linda Hunt, James Whitmore, Clayton Rohner, Chi Muoi Lo, Robert Lesser, Lewis Van Bergen, Francis X. McCarthy, Constance Towers, Audra Lindley, John Kapelos, Tico ...
Cube [a] is a 2021 Japanese science fiction horror film written by Koji Tokuo and directed by Yasuhiko Shimizu . It is a remake of the 1997 Canadian film of the same name and the fourth film in the Cube series. The film stars Masaki Suda, Anne Watanabe, Masaki Okada, Hikaru Tashiro, Takumi Saito and Kōtarō Yoshida. It was released in Japan on ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. ... Cube (1997 film) Cube (2021 film) Cube (song) Cube 2 ...
Jennifer Lopez, Ice Cube, Jon Voight, Eric Stoltz, Jonathan Hyde, Owen Wilson, Kari Wuhrer: United States [3] Bleeders: Peter Svatek: Rutger Hauer, Roy Dupuis: Canada Germany [4] The Bloody Ape: Keith Crocker: George Reis, Paul Richici, Chris Hoskins, Larry Koster, Arlene Hansen: United States [5] Breeders: Paul Matthews
It is the second film in the Cube film series and a sequel to Cube. Released in 2002, Hypercube replaces the colored industrial-style rooms of the first film with high-tech, brightly lit chambers. Instead of industrial traps such as flamethrowers and extending spikes, the rooms have "evolved" to control illusions, time, space, and reality.
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