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The album is composed by fifteen tracks, eleven of them are songs from their previous studio albums (five from Los Tres, one from Se Remata el Siglo and five from La Espada & la Pared), the unreleased song "Traje Desastre" and three cover versions of songs by Chilean musician Roberto Parra, the two cuecas "El Arrepentido" and "La Vida Que Yo He ...
Los Tres is a Chilean rock band, formed in 1987 in Concepción by Álvaro Henríquez, Roberto "Titae" Lindl, Francisco Molina and Ángel Parra Jr. They are one of the most influential rock en español bands.
Universal Music Latin Entertainment, a division of Universal Music Group, is a record company specialized in producing and distributing Latin music in Mexico, the United States, and Puerto Rico. UMLE includes famous Latin music labels such as Universal Music Latino , Fonovisa Records , Universal Music Mexico , Capitol Latin , Machete Music and ...
Universal Music Group N.V. [3] (often abbreviated as UMG and referred to as Universal Music Group or Universal Music) is a Dutch–American multinational music corporation under Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands, and its operational headquarters are located in Santa Monica, California.
Universal Music on Demand (UMOD) [1] [2] [3] is a London-based record label owned by Universal Music Group, formed in 1998 as Universal Music TV (UMTV).UMOD specialises in producing compilation albums and occasional single releases.
Fonovisa Records is an American Spanish language record label founded in 1984 by Guillermo Santiso as a subsidiary of Televisa. [1] Its former name before being acquired by Televisa in 1984 was Profono Internacional, which was founded in 1978.
Maybe you remember the USA Network’s original-programming heyday. From the early 2000s through 2020 or so, it had its own signature brand of high-gloss, lighthearted shows, most with an emphasis ...
The Firm was founded by managers Jeff Kwatinetz and Michael Green in 1997. Operating originally out of Kwatinetz' Malibu apartment, the company was described by the Los Angeles Times as "racing through the music industry with the velocity of a bullet train" and by 2000, represented a stable of actors and musicians that had generated more than $1.5 billion in gross revenue. [3]