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A still life, the painting features "Matisse's own plants, his own garden furniture, and his own fish tank." [ 2 ] Additionally, Matisse's "depiction of space" in the piece creates a tension. The goldfish can be seen from two different angles simultaneously: from the front, where the viewer can immediately recognise them, and from above, where ...
The painting shows a life-size European goldfinch (Carduelis carduelis) on top of a feeder—a blue container with a lid, enclosed by two wooden half-rings fixed to the wall. The bird is perched on the upper ring, to which its leg is attached by a fine chain. [7] [8] The painting is signed and dated "C fabritivs 1654" at the bottom. [1]
He portrayed his Issy studio in The Red Studio (L'Atelier Rouge), a 1911 oil on canvas painting considered one of the most influential pieces of modern art by experts. [3] [4] The studio would be often depicted in Matisse's goldfish paintings that would follow. In January 1912, Matisse visited Tangier in Morocco, where he stayed through April. [2]
The painting measures 129.5 cm × 200.7 cm (51.0 in × 79.0 in). Although painted in a naïve manner, with simple shapes and large blocks of colour, the painting may be based on Rousseau's observations of animals at the Jardin des Plantes and of reconstructed colonial villages at the 1889 World's Fair in Paris.
Acrylic, oilstick, and spray paint on canvas 68 x 102 in N/A The Broad museum 1982 Hannibal: Acrylic, oilstick and paper collage on canvas with wooden supports 60 x 60 in $13.1 million (2016) [84] Private collection 1982 Palm Springs Jump: Acrylic, oilstick and gold paint on canvas 72 x 84 in $12.8 million (2008) [85] Private collection 1982 ...
Henri Matisse was known as a versatile artist who dabbled in many art forms and experimented with various media, including painting, drawing, sculpture, and graphic arts such as etchings, linocuts ...
The price in 1892 was the highest made by a Landseer before the 1960s, with the exception of a rumoured price of £10,000 in a private sale of The Otter Hunt in 1873, which would have then represented the highest price ever paid for a British painting. [7] The painting was purchased in 1916 by Pears soap company and featured in their advertising.
The canvas measures 221.0 centimetres (87.0 in) high by 114.5 centimetres (45.1 in) wide, with a heavy gold frame with Celtic motifs, probably designed by Sargent and made by Harold Roller. [12] It was first exhibited at the summer exhibition at the New Gallery in 1889. In her memoirs, Terry called the painting the sensation of the year for 1889.
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