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Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
The Indus script, also known as the Harappan script and the Indus Valley script, is a corpus of symbols produced by the Indus Valley Civilisation.Most inscriptions containing these symbols are extremely short, making it difficult to judge whether or not they constituted a writing system used to record a Harappan language, any of which are yet to be identified. [3]
Four auspicious symbols. Mandi. Auspicious symbols. Mandi. The dhvaja (Sanskrit; Tibetan: རྒྱལ་མཚན་, THL: gyeltsen) "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire ...
Part bull, part zebra, with a majestic horn, it has been a source of speculation. As yet, there is insufficient evidence to substantiate claims that the image had religious or cultist significance, but the prevalence of the image raises the question of whether or not the animals in images of the IVC are religious symbols. [11]
In the Hindu tradition, a murti (Sanskrit: मूर्ति, romanized: mūrti, lit. ' form, embodiment, or solid object ') [1] is a devotional image, such as a statue or icon, of a deity or saint [2] used during puja and/or in other customary forms of actively expressing devotion or reverence - whether at Hindu temples or shrines.
The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.
Hinduism, with its 1.2 billion followers, is the religion of about 15-16 % of the world's population [1] and as such the culture that ensues it is full of different aspects of life that are effected by art.
The images of the Buddha's feet are convex images which represent the actual soles of his feet, with all their characteristics. Following the traditional triple division of the cetiya , [ 8 ] we can assume that the first form of the image of the Buddha's feet – the concave one – is a sort of pāribhogika element, since it is indissolubly ...