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Harbinger Down (also known as Inanimate in the United Kingdom) is a 2015 American independent science-fiction monster horror film written and directed by Alec Gillis and produced by Tom Woodruff Jr., the founders of the special effects company StudioADI, and starring Lance Henriksen.
Limelight (1952) was a serious and autobiographical film for Chaplin. His character, Calvero, is an ex–music hall star (described in this image as a "Tramp Comedian") forced to deal with his loss of popularity. The movie is set in London in 1914, on the eve of World War I, and the year Chaplin made his first film, Making a Living.
According to various ideas about the afterlife, the essential aspect of the individual that lives on after death may be some partial element, or the entire soul or spirit, of an individual, which carries with it and may confer personal identity or, on the contrary nirvana. Belief in an afterlife is in contrast to the belief in oblivion after death
The afterlife") is a 1981 English-language Italian Southern Gothic [6] [7] supernatural horror film directed by Lucio Fulci. It is based on an original story created by Dardano Sacchetti , starring Catriona MacColl and David Warbeck .
Animated films about the afterlife, a purported existence in which the essential part of an individual's stream of consciousness or identity continues to exist after the death of their physical body. The surviving essential aspect varies between belief systems; it may be some partial element, or the entire soul or spirit, which carries with it ...
Afterlife received numerous awards including a Golden Sheaf Award, a Canadian Film Award for Best Animated Film and the award for Best short Film from the Montreal World Film Festival. Music is by Herbie Mann , performing the David Mills composition, "In Tangier", from his album Stone Flute .
A courtroom drama, By Reason of Insanity is an exploration of the ethics and social consequences of the "humane and enlightened" insanity plea, [3] which fell under Section 16 (2) of the Criminal Code. At the time the film was made, s. 16(2) stated: "a person is insane when he ... has a disease of the mind to an extent that renders him ...
Jonathan Romney, writing for the British Film Institute, gave a positive review of the Afterlight, stating that "placed together, the images evoke a post-death existence, perfect, poetic and yet irreducibly desolate," and favourably compared the film to the 2010 supercut art installation The Clock. [11]
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