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The finish is a thin satin finish, versus the ES-335's thicker full gloss finish. The headstock has a silkscreen Gibson logo, versus the ES-335's inlaid pearloid logo. The headstock has no further decorative inlay, versus the ES-335's "crown" headstock inlay. The pickups are Gibson type 490R and 498T, versus the ES-335's Gibson 57 Classic pickups.
The Crestwood was launched in 1958 by Epiphone. The guitar was a double cutaway solid-body construction in mahogany with dual New Yorker pickups, three-on-a-side headstock and a pickguard with the Epiphone logo. In late 1959 the guitar was renamed the Crestwood Custom and the body's edges were rounded off and the pickguard got a different design.
The Starcaster has a unique headstock design, with a black bottom curve. No other production Fender guitar before or since had the same headstock, but some prototypes of the Fender Marauder, also designed by Fields, had a similar headstock design. It is also unusual for a semi-hollow guitar in having an asymmetrical ("offset") body, a maple ...
Rickenbacker 330's feature a slim headstock shape, but from a period around 1984 until 2007, they changed the headstock size to a wider shape. Originally, this change was done to accommodate larger tuning keys as the company transitioned in the type of tuners they were using at the time.
The design features three tuners on each side mounted as on a standard guitar, with the tuner posts projecting out from the face of the headstock. Two parallel channels are machined into the face of the headstock, reminiscent of the slots in the headstock of a classical guitar, but cut only halfway through the headstock. The headstock routs on ...
The 330 group consists of full scale guitars with standard features. These models (numbers 330 to 345) feature 24 + 3 ⁄ 4 in (630 mm) scale necks, unbound 15 in (380 mm) wide bodies with Rickenbacker's trademark "slash" sound hole, and pearl dot fretboard inlays. The deluxe 360 model group, numbers 360 to 375.
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...
Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.
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