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The song features a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited). The tune became popular in New Orleans , frequently performed by local musicians such as Dr. John , and is now a staple of the repertory of most brass bands and ...
John Durrill Larry Herbstritt Cherished: 1977 [12] "Dixie Girl" Cher John Durrill Half-Breed: 1974 [20] "DJ Play a Christmas Song" Cher Sarah Hudson Jesse Saint John Brett McLaughlin James Abrahart Mark Schick Lionel Crasta Christmas: 2023 [18] "Do I Ever Cross Your Mind" Cher Dorsey Burnette Michael Smotherman I Paralyze: 1982 [23] "Do Right ...
"James" is a song written and performed by Billy Joel from his fourth studio album Turnstiles (1976). It was released as the album's first single in July 1976, backed with " Travelin' Prayer ". [ 2 ] One Final serenade described the song as "a wistful song about growing up and trying to balance pursuing one's dreams while balancing family and ...
The song has been covered by many artists including George Benson, James Booker on his album Live from Belle Vue (2015), Lonnie Mack on his album Glad I'm in the Band (1969), James Brown on his album Say It Loud - I'm Black and I'm Proud (1969), and was the title track for albums by Marva Wright (2000), Gary U.S. Bonds (2009) and Hugh Laurie ...
The song is indefinitely repetitive, in a similar manner to "The Song That Never Ends", "Yon Yonson" or "Michael Finnegan." The latter two songs --this song and Michael Finnegan-- are heard in the Wee Sing series (books and audio). Versions of the song appear in other languages, such as the Spanish rendition, "Juan Paco Pedro de la Mar".
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centered on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. [4]
Landau regards "Smackwater Jack" as a good example of the effectiveness of Goffin's and King's songwriting partnership. [3] He regards Goffin as providing "brilliant and far-ranging" lyrics, while King "is subtly embellishing the musical form itself". [3] AllMusic critic Stewart Mason agrees that the song has "dry wit and several clever lines". [4]
"Li'l Liza Jane" was first published as lyrics (without notated music) in 1904 by Anne Virginia Culbertson as part of her book At the Big House. [9] A different version of the song was published as sheet music in 1916 by Sherman, Clay & Co of San Francisco, California, with compositional credit going to Countess Ada de Lachau (Ada Louise Metz, 1866–1956).