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One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...
Paul Jackson Pollock (/ ˈ p ɒ l ə k /; January 28, 1912 – August 11, 1956) was an American painter.A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
Ruth Kligman (January 25, 1930 – March 1, 2010) was an American abstract artist [1] who was romantically involved with two prominent American artists of the mid-20th century, Jackson Pollock and Willem de Kooning. [2]
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works. [1] [2]
Renowned art collector and supporter Ben Heller [5] acquired the painting in 1957 a year after Jackson Pollock died for a reported $32,000. [6] Heller was friends with Pollock and patronized him and many other American artists during his lifetime. [7] Blue Poles hung in the living room of Heller's 10th floor New York apartment on Central Park ...
One of Namuth's many photos of Jackson Pollock painting with his "drip" method. Hans Namuth was not initially interested in the work of Jackson Pollock, but was convinced by his teacher Alexey Brodovitch that Pollock was an important painter. [1] In July 1950, Namuth approached Pollock and asked to photograph the artist working in his studio.
A $10 million dollar Jackson Pollock painting has been discovered and the Arizona owner had no idea they were holding something so valuable in their attic.
The talent displayed by his small early paintings was recognized by Howard Putzel, who introduced him to Guggenheim. She was an art collector and dealer, and Pollock signed a contract with her gallery in July 1943 under which he would be paid $150 per month as a retainer, to be set against any proceeds from the sale of his artworks.
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