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Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
In neuroanatomy, the optic chiasm, or optic chiasma (/ ɒ p t ɪ k k aɪ æ z əm /; from Greek χίασμα 'crossing', from Ancient Greek χιάζω 'to mark with an X'), is the part of the brain where the optic nerves cross.
The optic tract of various clades of insects shows two chiasms, the first and second optic chiasm. [2] In contrast to those in vertebrates, the insect chiasms do not cross the body midline. Rather, the first and second chiasm invert the anterior and posterior visual field. Since there are two chiasms, the retinotopic map is not affected.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The six examples given by FAIR in your link are of more complex chiasms and is by no means an exhaustive list. I personally have run across two extended examples of chaism in my reading of the book that are not included in their list: 1 Nephi 17:30-42 and 3 Nephi 27:7-29, the latter example being a thematic chaism.
The Wiedmann Bible depicts the complete Old and New Testament in images. The original includes 19 Leporello (concertina fold) books which contain 3,333 hand-painted images, and has a total length of 1.17 km (0.73 miles). [1] Created by the Stuttgart artist Willy Wiedmann over a period of 16 years (1984–2000).
Light gray color indicates black/white or microfilm images available online. Light blue color indicates manuscript not imaged, and is currently lost or ownership unknown. Light pink color indicates manuscript destroyed, presumed destroyed, or deemed too fragile to digitize. Violet color indicates high resolution ultraviolet images available online.