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Two dancers of Argentine tango on the street in Buenos Aires. Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [1] It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
In Argentina, the word Tango seems to have first been used in the 1890s. In 1902, the Teatro Opera started to include tango in their balls. [11] Initially tango was just one of the many dances practiced locally, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands ...
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love.
Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
Café de Hansen, Antiguo Hansen, Lo de Hansen, Restaurant del Parque 3 de Febrero or Tarana was a café in Buenos Aires, Argentina, and was one of the birthplaces of tango. Because of its monumental impact on the development and dissemination of the music, Café Hansen is often referenced in some of the most popular tango songs in Argentina. [1 ...
Alberto's definitive work is the book Gotta Tango, which he co-authored with Valorie Hart. The book begins with the culture, history, and music of Buenos Aires that evolved into the Argentine tango dance. The instructional section of the book explains the fundamental concepts and techniques of dancing Argentine tango. [4]
Since then, tango and folklore appeared as different and even conflicting forms of Argentine popular music: tango as "city music", while folklore was identified with rural music. For several decades tango was considered the popular music of Argentina, relegating folklore, which remained isolated in the local spheres of each region. [49]