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Puerto Rican art is the diverse historic collection of visual and hand-crafted arts originating from the island. The art of the Puerto Ricans (Spanish: puertorriqueños or boricuas) draws from the various cultural traditions of the indigenous Taino people, as well as the history of the island as the subject of various other nations.
The museum contains one of the most important Pre-Raphaelite collections in the Western Hemisphere, [8] holding some 4,500 pieces of art [3] [9] distributed among fourteen galleries. [10] Museo de Arte de Ponce is the finest art museum in Puerto Rico. [11] The largest art museum in the Caribbean, [12] it has also been called one of the best in ...
High-resolution images of works of art from Puerto Rico's museums are being digitized and made available online with the help of the institute, Google Arts & Culture, Lin Manuel Miranda and other stakeholders. 350 such works were available online by November 7, 2019, including many works by José Campeche.
La Familia (Spanish for 'The Family') is the name of a mural by Puerto Rican muralist Rafael Ríos Rey located in the Barrio Obrero Community Center (Centro de Servicios Múltiples de Barrio Obrero) in Santurce, in the city of San Juan, Puerto Rico. The mural depicts various scenes from the history of Puerto Rico with references to the popular ...
Galería Nacional (National Gallery) located in Old San Juan within the historic colonial section of the capital of Puerto Rico, houses the largest collection of Puerto Rican paintings from the eighteenth century to the 1960s.
El Velorio (Spanish for "The Wake") is an 1893 8-by-13-foot painting by Puerto Rican Impressionist painter Francisco Oller depicting a baquiné, a type of traditional wake. This painting is considered one of the most important pieces in the art history of Puerto Rico and is therefore considered a national treasure.
Our Lady of Bethlehem (Spanish: la Virgen de Belén) is a Flemish-style oil painting that arrived in Puerto Rico. Specialists in 15th-century art attribute the painting to the school of Brussels painter, Rogier van der Weyden, or to an anonymous disciple of his school.
Rafael Tufiño's painting included portraits, landscapes and images of Puerto Rico daily life. During the 1950s, he was part of the "Generación de los Cincuentas" (the Generation of the Fifties), a group of artists who worked to create a new artistic style and aesthetic identity for Puerto Rico. [2] [3] [5]