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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
The music drew upon the West African Kaiso and French/European influences, and arose as a means of communication among the enslaved Africans. Kaiso is still used today as a synonym for calypso in Trinidad and some other islands, often by traditionalists, and is also used as a cry of encouragement for a performer, similar to bravo or olé.
The Venezuelan festival known in Spanish as Calypso de El Callao (calypso of El Callao) is held every year in Bolívar state, during carnival celebrations. It is a fusion of Trinidad and Tobago calypso music , Caribbean traditions and Venezuelan folklore.
Extempo (also extempo calypso) is a lyrically improvised form of calypso and is most notably practiced in Grenada and Trinidad and Tobago. It consists of performers improvising in song or in rhythmic speech on a given theme before an audience, which take turns to perform.
[1] Music education in the Virgin Islands is focused primarily on the Western classical tradition, particularly orchestral and concert band music. Local folk music is also a part of the music curriculum; quadrilles are taught in schools in St. Croix, and Charlotte Amalie High School on St. Thomas is home to a well-known student scratch band. [1]
Kentrick Patrick OD (21 August 1935 – 30 June 2023), known professionally as Lord Creator, was a Trinidadian calypso, R&B, ska, and rocksteady musician and singer. . Alongside Cuban-born Roland Alphonso, Barbadian Jackie Opel and fellow Trinidadians Lynn Taitt and Lord Brynner, Lord Creator was an important and positive "outside" influence during the early development of the Jamaican m
Canboulay (from the French cannes brulées, meaning burnt cane) is a precursor to Trinidad and Tobago Carnival.The festival is also where calypso music has its roots. It was originally a harvest festival, at which drums, singing, dancing and chanting were an integral part.
Idiophones: The main component that makes Rake-N-Scrape unique is the use of the Carpenter's Saw. This instrument is scraped with a nail or butter knife. Bent against the body of the player and flexed, various timbral effects are obtained. [4] In more modern music, the saw is replaced with maracas or a guiro. [5]