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Female dandies did overlap with male dandies for a brief period during the early 19th century when dandy had a derisive definition of "fop" or "over-the-top fellow"; the female equivalents were dandyess or dandizette. [34] Charles Dickens, in All the Year Around (1869) comments, "The dandies and dandizettes of 1819–20 must have been a strange ...
The fop was a stock character in English literature and especially comic drama, as well as satirical prints. He is a "man of fashion" who overdresses, aspires to wit, and generally puts on airs, which may include aspiring to a higher social station than others think he has.
In the popular press of the 1880s and 1890s, "dude" was a new word for "dandy"—an "extremely well-dressed male", a man who assigned particular importance to his appearance. The café society and Bright Young Things of the late 1800s and early 1900s were populated with dudes. Young men of leisure vied to display their wardrobes.
Where a male dandy dresses with an almost feminine appeal and attention to detail, a woman dandy has masculine qualities in her appearance and attire. Greene uses examples of Rudolph Valentino, Marlene Dietrich, Prince Rogers Nelson and Lou von Salome as prototypical examples of male and female dandies. Rudolph Valentino was a male dancer and ...
Messrs: is short for the French Messieurs, is a title used to refer to two or more men in a group. Miss: (/ m ɪ s /) for girls, unmarried women, and (in the United Kingdom) married women who continue to use their maiden name (although "Ms" is often preferred for the last two). In the United Kingdom, it has traditionally been used in schools to ...
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The precise origin of the term is unknown. Some believe that it is derived from The Road to Oz (1909), a sequel to the first novel, The Wonderful Wizard of Oz (1900). The book introduces readers to Polychrome who, upon meeting Dorothy's travelling companions, exclaims, "You have some queer friends, Dorothy", and she replies, "The queerness doesn't matter, so long as they're friends."
Satyress is the female equivalent to satyrs. They are entirely an invention of post-Roman European artists, as the Greek satyrs were exclusively male and the closest there was to female counterparts were the nymphs , altogether different creatures who, however, were nature spirits or deities like the satyrs.