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Most cantatas made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The melodies of such hymns often appeared in cantatas, for example as in the four-part settings concluding Bach's works, or as a cantus firmus in larger choral movements. Other occasions for church cantatas include weddings and ...
Am Abend aber desselbigen Sabbats (concerto da chiesa) BWV 42; BC A 63 / Sacred cantata Bach Digital; Cantata BWV 42 Am Abend aber desselbigen Sabbats: history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas website; Luke Dahn: BWV 42.7 bach-chorales.com
In the 1860s, during his stay in Linz, after the end of Sechter's and Kitzler's tuition, Bruckner composed the following two cantatas: . The festive cantata Preiset den Herrn (Praise the Lord), WAB 16, is a religious cantata in D major composed in 1862 for the celebration of the laying of the foundation stone of the new Mariä-Empfängnis-Dom of Linz.
According to musicologist Martin Elste, the most frequently recorded cantatas of Bach have been the virtuoso solo cantatas Jauchzet Gott in allen Landen, BWV 50 for soprano and obbligato trumpet, Ich habe genug, BWV 82 for bass (with alternative versions for soprano, alto or mezzo-soprano) and the so-called "Kreuzstab cantata" for solo bass or bass-baritone Ich will den Kreuzstab gerne tragen ...
Bach composed the cantata in his second year in Leipzig for the feast of the Ascension. [2] The prescribed readings for the feast day were from the Acts of the Apostles, Jesus telling his disciples to preach and baptize, and his Ascension (Acts 1:1–11), and from the Gospel of Mark (Mark 16:14–20).
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The cantata is Bach's earliest extant cantata for Christmas Day, possibly composed in Weimar as early as 1713. [2] The text of the cantata, which echoes theologians in Halle, suggests that it was composed with Halle's Liebfrauenkirche in mind, in 1713, when Bach applied to be organist of this church, or in 1716, when he was involved in rebuilding its organ.
Bach composed the cantata in Leipzig for the Eleventh Sunday after Trinity as part of his chorale cantata cycle. [2] [3] The prescribed readings for the Sunday were from the First Epistle to the Corinthians, on the gospel of Christ and his (Paul's) duty as an apostle (1 Corinthians 15:1–10), and from the Gospel of Luke, the parable of the Pharisee and the Tax Collector (Luke 18:9–14).