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The Will to Believe. " The Will to Believe " is a lecture by William James, first published in 1896, [1] which defends, in certain cases, the adoption of a belief without prior evidence of its truth. In particular, James is concerned in this lecture about defending the rationality of religious faith even lacking sufficient evidence of religious ...
Myth and ritual are two central components of religious practice. Although myth and ritual are commonly united as parts of religion, the exact relationship between them has been a matter of controversy among scholars. One of the approaches to this problem is "the myth and ritual, or myth-ritualist, theory," held notably by the so-called ...
The essay provides an overview of Thoreau's philosophy of work and life. It begins by challenging the notion that work is the most crucial aspect of an individual's life. He posits that work often clashes with poetry and living, and emphasizes the need for work to be fulfilling.
Magic realism. Magic realism, magical realism or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between fantasy and reality. [1] Magical realism is the most commonly used of the three terms and refers to literature in particular.
Crossroads (folklore) In folklore, crossroads may represent a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there", "betwixt ...
It’s not as easy as people think it is, that’s why a lot of people don’t do it.” It’s a reality that the pair knows all too well, as one of the premier female songwriting and production ...
Magic (personified as the god heka) was an integral part of religion and culture which is known to us through a substantial corpus of texts which are products of the Egyptian tradition. [10] While the category magic has been contentious for modern Egyptology, there is clear support for its applicability from ancient terminology. [11]
Magic. The history of magic extends from the earliest literate cultures, who relied on charms, divination and spells to interpret and influence the forces of nature. Even societies without written language left crafted artifacts, cave art and monuments that have been interpreted as having magical purpose.