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To avoid vignetting, a photographer using a view camera must ensure that the area remains within the image circle (Adams 1980, 56–57; 151–52; 157–61); a tilt/shift lens or perspective-control lens used on a small- or medium-format camera usually has mechanical limitations that keep the frame area within the image circle.
The examples and perspective in this article may not represent a worldwide view of the subject. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. (December 2010) (Learn how and when to remove this message)
For example, the photographer may prefer to make his sunny-16 shot at an aperture of f /5.6 (to obtain a shallow depth of field). As f /5.6 is 3 stops "faster" than f /16 , with each stop meaning double the amount of light, a new shutter speed of (1/125)/(2·2·2) = 1/1000 s is needed.
An early application of exposure compensation was the Zone System developed by Ansel Adams and Fred Archer. [3] Although the Zone System has sometimes been regarded as complex, the basic concept is quite simple: render dark objects as dark and light objects as light, according to the photographer's visualization.
In medium and large format photography, contact prints are prized for their extreme fidelity to the negative, with exquisite detail that can be seen with the use of a magnifying glass. A disadvantage to using contact prints in the fine-arts is the laboriousness of modifying exposure selectively, when the use of an enlarger can achieve the same ...
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