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Apache Christ (Apache: Bik’egu'indán) is a painting depicting Jesus as a Mescalero holy man. Created in 1989 by American Franciscan friar Robert Lentz, the 8-foot (2.4 m) icon is displayed in the altar of the St. Joseph Apache Mission Church, a Catholic church in the U.S. state of New Mexico with parishioners who are mostly Mescalero Apache.
' The Great Child Jesus of Arenzano '), locally known as Il Grande Piccinino, is a Roman Catholic image of the Child Jesus venerated by the Genoese faithful. [1] The image takes its iconography from a painting of Infant Jesus of Prague which was brought by the Carmelite Order who wanted to propagate its devotion in the area. Italian Marchioness ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Several venerated images of Jesus Christ and Saint Joseph have also been granted a pontifical coronation. [ a ] The pontifical decree of canonical coronation Qui Semper granted for the "Virgin of Hope of Triana" in Spain , legally imposing the venerated Marian image the Pontifical right to wear a crown by Pope John Paul II on 7 April 1983.
A gilded wooden figurine of a deer from the Pazyryk burials, 5th century BC. Deer have significant roles in the mythology of various peoples located all over the world, such as object of worship, the incarnation of deities, the object of heroic quests and deeds, or as magical disguise or enchantment/curse for princesses and princes in many folk and fairy tales.
The symbol of perhaps the widest distribution is the Ichthys (Greek: ΙΧΘΥΣ, fish), used since the second century as an acronym for "Ίησοῦς Χριστός, Θεοῦ Υἱός, Σωτήρ" (Iesous Christos, Theou Huios, Soter), meaning "Jesus Christ, Son of God, Saviour". [2]
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Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...