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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The poem makes use of folk, mythological, religious, and classical references. Poe stated that he composed the poem in a logical and methodical manner, aiming to craft a piece that would resonate with both critical and popular audiences, as he elaborated in his follow-up essay in 1846, "The Philosophy of Composition".
The tablet contains a balbale (a kind of Sumerian poem) which is known by the titles "Bridegroom, Spend the Night in Our House Till Dawn" or "A Love Song of Shu-Suen (Shu-Suen B)". Composed of 29 lines, [5] this poem is a monologue directed to king Shu-Sin (ruled 1972–1964 BC, short chronology, or 2037–2029 BC, long chronology [4]).
A US Navy chaplain reads an excerpt of Niemöller's poem during a Holocaust Days of Remembrance observance service in Pearl Harbor; 27 April 2009. At the United States Holocaust Memorial Museum in Washington, D.C., the quotation is on display, and the museum website has a discussion of the history of the quotation. [10]
That One which came to be, enclosed in nothing, arose at last, born of the power of knowledge. 4. In the beginning desire descended on it - that was the primal seed, born of the mind. The sages who have searched their hearts with wisdom know that which is, is kin to that which is not. 5. And they have stretched their cord across the void,
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]