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This painting, with its extremely long title, was the first of Hunt's works to include 'PRB' (Pre-Raphaelite Brotherhood) on the canvas.Hunt took his subject from the 1835 novel Rienzi, the Last of the Roman Tribunes, by Bulwer Lytton, [1] about Cola di Rienzi (1313–1354), a papal notary who led a popular uprising in Rome.
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The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
In Hunt's painting, the shepherd ignores his flock of sheep, who wander over a ditch into a wheat field. This violation of boundaries is paralleled by the shepherd's physical intrusions into the personal space of the young woman, who responds in an ambiguous way that might be interpreted as complicity or as a knowing scepticism.
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Hunt started painting on the shore of the Dead Sea, and continued it in his studio in London. The work exists in two versions, a small version in brighter colours with a dark-haired goat and a rainbow, in Manchester Art Gallery , and a larger version in more muted tones with a light-haired goat in the Lady Lever Art Gallery in Port Sunlight .