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Porcelain Jar with cobalt blue under a transparent glaze, Jingdezhen porcelain, mid-15th century. The industrialization of Chinese porcelain during the Ming dynasty was not possible without a post-production system that honored scalability as well as scarcity.
Longquan celadon (龙泉青瓷, lung-tsh'wahn [citation needed]) is a type of green-glazed Chinese ceramic, known in the West as celadon or greenware, produced from about 950 to 1550. The kilns were mostly in Lishui prefecture in southwestern Zhejiang Province in the south of China, and the north of Fujian Province.
A Mi-se dish from Famen Temple. A particularly refined form of Yue ware is the Mi-se Yue ware (Chinese: 秘色越器, or Chinese: 秘色青瓷, "Secret color Yue ware") found in the Famen Temple and dated to the 9th century. This ware was undecorated but characterized by a smooth and thin glaze of a light color, either yellowish green or bluish ...
In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Harmony Art Ware ginger jar – Eric Slater 1932. In January 1929 the company became a limited company with Percy Shelley and his three sons being equal shareholders. In 1932 Percy Shelley retired after being the proprietor for almost fifty years, he moved to Bournemouth and died in 1937. In 1933 Kenneth Jack died in hospital after an operation.
Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea.
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