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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Stepping to the right, regally crowned and lying over a bed of snakes; [23] in Achala-Vajrapani form he is shown with four heads, four arms and four legs adorned with symbols of vajra, sword, lasso and skull cup and trampling over demons; [23] Mahachakra-Vajrapani is a form with three heads and a third eye, and with six arms and two legs.
Woodblock printing of sutras called "kangyou" was widespread by the Song dynasty China. It also became very important in Korean Buddhism, which produced the Tripitaka Koreana, one of the most well preserved woodblock printed editions of the Buddhist canon. A printing sutra, the Hyakumantō Darani, was published in Nara period Japan. A scripting ...
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
In Tibetan Buddhism, Mañjuśrī manifests in a number of different Tantric forms. Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana
The word swastika is derived from the Sanskrit root swasti, which is composed of su 'good, well' and asti 'is; it is; there is'. [30] The word swasti occurs frequently in the Vedas as well as in classical literature, meaning 'health, luck, success, prosperity', and it was commonly used as a greeting.
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More decorative form of the endless knot More complex form of the endless knot seen on a c. 400-year-old Chinese lacquerware dish Endless knot in a Burmese Pali manuscript. The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism.