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The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
The Torah: A Modern Commentary (1981), ISBN 0-8074-0055-6; Rogerson, John William (1991). Genesis 1–11. T&T Clark. ISBN 978-0-567-08338-8. Sacks, Robert D (1990). A Commentary on the Book of Genesis. Edwin Mellen. Sarna, Nahum M. The JPS Torah Commentary: Genesis: The Traditional Hebrew Text with the New JPS Translation. Philadelphia: Jewish ...
On the seventh day, the Sabbath, God rests, and sanctifies the day.God forms Adam out of earth ("adamah"), and sets him in the Garden of Eden, to watch over it.Adam is allowed to eat of all the fruit within it, except that of the "Tree of the Knowledge of Good and Evil."
De Genesi ad litteram (Latin: [d̪eː gɛ.nɛ.siː liː.tɛ.ram]; Literal Commentary on Genesis) [1] is an exegetical reading of the Book of Genesis written in Latin by Augustine of Hippo. [2] Likely completed in AD 415, this work was Augustine's second attempt to literally interpret the Genesis narrative .
Notable proponents of allegorical interpretation include the Christian theologian Origen, who wrote in the 2nd century that it was inconceivable to consider Genesis literal history, Augustine of Hippo, who in the 4th century, on theological grounds, argued that God created everything in the universe in the same instant, and not in six days as a ...
Adam and Eve - Paradise, the fall of man as depicted by Lucas Cranach the Elder, the Tree of knowledge of good and evil is on the right. In Christianity and Judaism, the tree of the knowledge of good and evil (Tiberian Hebrew: עֵץ הַדַּעַת טוֹב וָרָע, romanized: ʿêṣ had-daʿaṯ ṭōḇ wā-rāʿ, [ʕesˤ hadaʕaθ tˤov wɔrɔʕ]; Latin: Lignum scientiae boni et mali ...
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1. The Genesis text analyzed is the current traditional manuscript. 2. The text, for the purpose of literary analysis, is regarded as having been written by an "author" who is responsible for the final version of the text. The literary reading, therefore, relates to what is expressed in the current form of the text, assuming its unity. 3.
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