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Harrison likened "If I Needed Someone" to "a million other songs" that are based on a guitarist's finger movements around the D major chord. [22] [nb 3] The song is founded on a riff played on a Rickenbacker 360/12, [24] [25] which was the twelve-string electric guitar that McGuinn had adopted as the Byrds' signature instrument after seeing Harrison playing one in A Hard Day's Night.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds, released on June 21, 1965, by Columbia Records. [1] The album is characterized by the Byrds' signature sound of Jim McGuinn's [nb 2] 12-string Rickenbacker guitar and the band's complex harmony singing. [2]
[139] [140] The song found the Byrds successfully blending their signature harmonies and chiming 12-string guitar playing with the sound of the pedal steel guitar for the first time, foreshadowing their extensive use of the instrument on their next album, Sweetheart of the Rodeo. [140] [141]
The C. F. Martin guitar company has even released a special edition called the HD7 Roger McGuinn Signature Edition, that claims to capture McGuinn's "jingle-jangle" tone which he created with 12 string guitars, while maintaining the ease of playing a 6-string guitar. Roger McGuinn at Kralingen (1970) After Mr. Tambourine Man in 1965, "Turn! Turn!
The Byrds modeled their sound on the Beatles and prominently featured a Rickenbacker electric 12-string guitar in many of their recordings. [6] What would become popularly known as the "jingle-jangle" [ 10 ] or "jangle" sound [ 11 ] was unveiled with the Byrds' debut record "Mr. Tambourine Man", released in April 1965.
Chestnut Mare" was the first UK Top 20 hit that the Byrds had achieved since their cover of Bob Dylan's "All I Really Want to Do" had peaked at number 4 in September 1965. [9] [12] Although the U.S. single release featured the full-length album version of "Chestnut Mare", in the UK and Europe a severely edited version of the song was issued ...
Byrds expert Tim Conners has called the song "the Platonic ideal of a Byrds song", in reference to the presence of some of the band's early musical trademarks, including Jim McGuinn's jangling 12-string Rickenbacker guitar; Chris Hillman's complex bass work; David Crosby's propulsive rhythm guitar, and the band's complex harmony singing and use ...
According to Fricke, the familiar chime of McGuinn's 12-string Rickenbacker guitar is lost beneath the overbearing strings and the band's trademark harmonies are also largely absent from the album. [2] Byrdmaniax was remastered at 20-bit resolution as part of the Columbia/Legacy Byrds series. It was reissued in an expanded form on February 22 ...
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