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Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.
Fans loved the smooth sounds of jazz and catchy doo-opp tunes of the 1950s. This list includes the biggest artists of the time, from Elvis to Nina Simone. 30 Best Songs That Are Classically 1950s
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The Monotones were a six-member American doo-wop vocal group in the 1950s. They are considered a one-hit wonder , as their only hit single was " The Book of Love ", which peaked at No. 5 on the Billboard Top 100 in 1958.
The Collegians were an American 1950s doo-wop group from New York City. They recorded for the Harlem-based record producer, Paul Winley. The group's biggest hit, "Zoom Zoom Zoom," was released in 1958. [1] Other Collegians' charted hits include "Right Around The Corner," "The One You Love," "Hold Back the Night," and "Let's Go For a Ride."
The Cadillacs were an American rock and roll and doo-wop group from Harlem, New York, active from 1953 to 1962.The group was noted for their 1955 hit "Speedoo", written by Esther Navarro, which was instrumental in attracting white audiences to black rock and roll performers.
Doo Wop 50 is a television and DVD special created and produced by TJ Lubinsky. The special was inspired by a 1994 CD box-set of doo wop music which was also a development and production partner WQED in the program and dvd.
He took a further break, becoming a barber, and later relocated to Nashville, Tennessee, where he met Stop Records producer Pete Drake, who produced some records with his old backing group The Endeavors, then bet him that he could not make a country music album that sells, causing him to record Otis Williams and the Midnight Cowboys in 1971 ...