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The funeral sermon is a mixed genre. [4] Patrick Collinson used a "cuckoo in the nest" metaphor to describe the Protestant reformer's predicament when funeral sermons were given: classical rhetoric of exemplars was used, while radical evangelicals could not accept the sermon form as suited to the lives of the godly. [5]
Sermon 78: Spiritual Idolatry - 1 John 5:21; Sermon 79: On Dissipation - 1 Corinthians 7:35; Sermon 80: On Friendship with the World - James 4:4; Sermon 81: In What Sense We Are to Leave the World - 2 Corinthians 6:17-18; Sermon 82: On Temptation - 1 Corinthians 10:13; Sermon 83: On Patience - James 1:4; Sermon 84: The Important Question ...
Death Unstung; a Funeral Sermon for Thomas Mousley, an Apothecary; Invisible Realities, demonstrated in the holy Life and Death of Mr. John Janeway, 1673. The Saints' Encouragement to Diligence in Christ's Service, 1673; Legacy to his Friends; containing 27 famous Instances of God's providence in and about sea dangers and deliverances, 1674
The whole monument has two parts: the sermon's text (26 lines and 227 words) and the prayer (6 lines and 47 words). Not counting repeated words, there are 190 individual terms in the text. The work was written after a Latin version, which has been identified and can be found in the very codex. However, the Funeral Sermon and Prayer is a new ...
Life of William Baker, with his funeral sermon, by the Rev. Mr. Gilpin. 14 "Z." (Hannah More) The market woman, a true tale; or, honesty is the best policy. 15 Henry Fielding Murders: True examples of the interposition of providence, in the discovery and punishment of murder. 16 A new history of a true book in verse. 17
On 25 February 1754 Taylor laid the first stone of the Octagon Chapel, Norwich, opened 12 May 1756, and described by John Wesley (23 December 1757) as 'perhaps the most elegant one in all Europe,' and too fine for 'the old coarse gospel.' [1] In his opening sermon, Taylor, who had received (6 April) the diploma (dated 20 January) of D.D. from ...
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God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man .
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