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"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of " You Make Me Real ", which peaked at No. 50 on the U.S. Billboard Hot 100 [ 5 ] and No. 41 in Canada . [ 6 ] "
The Roadhouse Blues Tour was a 1970 tour undertaken by rock band the Doors. The group recorded many of the concerts which have been subsequently released through Elektra Records , Rhino Records and Bright Midnight Records .
It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records. [2] [3] The concert is one of the longest live performances by the Doors.
It was recorded at the Boston Arena on April 10, 1970, during the band's Roadhouse Blues Tour. The band performed two shows, one starting at 7 pm and a second scheduled for 10 but not actually starting until past midnight. Jim Morrison appears to be intoxicated during the entire latter show, and continued drinking heavily throughout the ...
Live In Pittsburgh 1970 was mixed and mastered by long-time Doors' sound engineer/producer Bruce Botnick.He had recorded several shows from the Doors’ 1970 Roadhouse Blues Tour on multi-track tape for the Absolutely Live album released in July 1970.
"You Make Me Real" is a song written by Jim Morrison that was first released on the Doors 1970 album Morrison Hotel.It was also released as the only single from the album, reaching No. 50 on the Billboard Hot 100, but was ultimately surpassed in popularity by its B-side, "Roadhouse Blues". [3]
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records.After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band.