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"Live Wire" appears in the soundtracks to the video games Tony Hawk's American Wasteland, Brütal Legend, Saints Row: The Third, and NBA 2K20. The song also appears on the soundtrack to Charlie's Angels. It also appears in the Netflix original film The Dirt which is about Mötley Crüe's history.
Live Wire is a 2004 live CD/DVD released by Christian rock band Third Day. All of the tracks, except for "Sing a Song" and "Blackbird", are from their album Wire, released earlier that year. "Thank You All" was recorded especially for Live Wire. Some of the songs were cut off the CD but can be found on the DVD.
The song was produced by Holland–Dozier–Holland under the same gospel-pop confection of their earlier hit singles "(Love Is Like a) Heat Wave" and "Quicksand".The song explained why the narrator can't come up with words to tell her lover that she was through with him because when she looks at him, she feels that he is "like a bolt of lightning" and that he's a "live wire".
The video features new interviews and the band's full catalog of music videos, which were in part previously released on the video albums Uncensored and Dr. Feelgood The Videos. It includes new live clips, music videos from the album Girls, Girls, Girls and the new music videos "Primal Scream", "Home Sweet Home '91", and "Anarchy in the U.K.".
Live Wire/Blues Power is a blues album by Albert King. [8] It was recorded live in 1968 at the Fillmore Auditorium. [9] Leftovers from the recordings were released on the albums Wednesday Night in San Francisco and Thursday Night in San Francisco. [10] The album peaked at No. 150 on the Billboard 200. [11]
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First appearing on Crow's self-titled second album in 1996, the Threads version of the song features Johnny Cash, who had recorded a cover of the song for his 2010 posthumous release American VI: Ain't No Grave. [5] [6] On May 22, 2019, "Live Wire", a blues-inspired track featuring Bonnie Raitt and Mavis Staples, was released on Entertainment ...
Mötley Crüe teamed up with producer Mike Clink to record the album that Sixx felt should have been the successor to their 1989 album, Dr. Feelgood. [9]Longtime guitarist Mick Mars claims he had little actual involvement in New Tattoo, stating that his bandmates denied him the chance to participate due to lingering bad feelings from the recording of Generation Swine.