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The original soundtrack to the film Easter Parade was released by MGM Records as a set of four 10-inch 78-rpm shellac records [1] and as a 10-inch 33-rpm long-play. [3] The soundrack featured songs performed by Judy Garland, Fred Astaire, Peter Lawford, Ann Miller and played by the Johnny Green Orchestra.
"Easter Parade" is a popular song, written by Irving Berlin and published in 1933. Berlin originally wrote the melody in 1917, under the title "Smile and Show Your Dimple", as a "cheer up" song for a girl whose man has gone off to fight in World War I. A recording of "Smile and Show Your Dimple" by Sam Ash enjoyed modest success in 1918. [1]
As Thousands Cheer is a revue with a book by Moss Hart and music and lyrics by Irving Berlin, first performed in 1933.The revue contained satirical sketches and witty or poignant musical numbers, several of which became standards, including "Heat Wave", "Easter Parade" and "Harlem on my Mind".
'Easter Parade' is one of the most iconic Easter movies, but there's a lot you might not know about the classic musical. Read on to learn 12 fun 'Easter Parade' movie facts!
This list of best Easter songs and albums, including favorites performed by contemporary Christian artists (plenty of Hillsong Worship and Chris Tomlin), gospel greats, world-renowned choirs, and ...
"We're a Couple of Swells" is an American comedy duet song performed by Judy Garland and Fred Astaire in the film Easter Parade (1948). It was written by Irving Berlin.Berlin originally wrote the song "Let's Take an Old-Fashioned Walk" for the scene, but the film's producer, Arthur Freed, persuaded Berlin to change this for a song that would highlight Garland's comedic talent.
"I Love a Piano" is a popular song with words and music by Irving Berlin.It was copyrighted on December 9, 1920 and introduced in the Broadway musical revue Stop! Look! Listen! when it was performed by Harry Fox and the ensem
Since "Easter Parade", the song has been recorded and performed by several artists, most notably Tony Bennett, in whose treatment it has become a jazz standard. [2] Introduced as the title song on his 1993 Astaire-themed album Steppin' Out , a stylish music video for it garnered some MTV airplay and was part of Bennett's commercial resurgence ...
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