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The women are mostly silent at the beginning of the play, and their minimal conversation consists mostly of trivial things—at least to the perspective of the men, who believe that their comments and findings to be "trifles;" however, the power in their silence and trivial conversation is implied at the play’s end. Mrs. Hale and Mrs. Peters ...
Trifle is a layered dessert. Trifle(s) may also refer to: Trifle (metal), a grade of pewter 84 parts of tin, 7 of antimony, and 4 parts of copper; Trifle (trimaran) trimaran sailboat designed by Derek Kelsall and produced in 1966; Trifles (play), one-act play by Susan Glaspell
It is the property of phenomenal selfhood that plays the most important role in creating the fictional self and the first person perspective. Metzinger defines the first-person perspective as the "existence of single coherent and temporally stable model of reality which is representationally centered around or on a single coherent and ...
Trifle is a layered dessert of English origin. The usual ingredients are a thin layer of sponge fingers or sponge cake soaked in sherry or another fortified wine, a fruit element (fresh or jelly), custard and whipped cream layered in that ascending order in a glass dish. [1]
Linear or point-projection perspective (from Latin perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. [ citation needed ] [ dubious – discuss ] Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by ...
Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
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Trompe-l'œil, in the form of "forced perspective", has long been used in stage-theater set design, so as to create the illusion of a much deeper space than the existing stage. A famous early example is the Teatro Olimpico in Vicenza, with Vincenzo Scamozzi's seven forced-perspective "streets" (1585), which appear to recede into the distance.